La traviata

Melodramma in Three Acts (1853) Music by Giuseppe Verdi Text by Francesco Maria Piave after Alexandre Dumas d. J. The Fallen One – this is Violetta Valéry, who as a courtesan of noble rank in Paris leads a life between splendor and misery. Everything is just play and illusion, even love, until Alfredo Germont awakens her true feelings. The happiness however is a rare guest and of short duration: Violetta, suffering from consumption, is first humiliated and fades away after a final flare-up of her vitality. Only once did Giuseppe Verdi turn to contemporary subject matter, the 'Camille' by Parisian author Alexandre Dumas d.J. As a novel as well as a play, Dumas has shaped this event based on true events into literature. Verdi created music of great impact for it, which allows ample room for the expression of emotions: joy and excess, lament and despair. The listener and observer is almost drawn into the action to take an immediate part in Violetta's fate. As the last work of the so-called 'Trilogia populare', the Traviata, first performed in 1853 and first shown at Unter den Linden in 1860, quickly became a successful opera on an international scale after initial skepticism. The staging by Dieter Dorn presents Violetta as a woman who is doomed from the beginning but rebels against her fate. At the end she simply disappears, dissolved into nothingness. External Content To protect your privacy, we do not automatically load the external content ' Trailer La traviata '. When you load external content, personal data may be transferred to the respective third-party provider. More information can be found in our Privacy Policy . Violetta Valéry is ill. Musically her story is told from her death. With it begins and ends the piece, the dream of an unfulfillable love. The party she has invited to attend should be a cure for consumption: In the tumult of the crowd, in the whirl, during shared drinking she wants to surrender herself to pleasure. Gastone, Vicomte de Létorières, introduces her to a new guest, Alfredo Germont, who has admired her for a year and offers her his love and a peaceful life. Violetta must decide between Baron Douphol, who has paid for her services for a year, or Alfredo, who loves her as she has never been loved before. Early in the morning after the departure of her guests, Violetta tries to clarify what she wants: serious love or a life that is entirely given over to pleasure. She decides for Alfredo. Violetta and Alfredo have lived together on the countryside for three months. They are happy, but the money is running out. Violetta is busy with her servant Annina selling off her possessions as she no longer earns anything. Alfredo praises his happiness. In his carefree state he does not think about who finances it. When Annina tells him that Violetta is currently selling everything, he goes to Paris to find another solution. In the meantime Alfredo's father Giorgio Germont appears before Violetta. He accuses her of squandering the money and reputation of Alfredo and his family. Violetta initially confronts him decisively. Although Germont realizes his mistake, he argues with all means and tricks against the relationship between Violetta and Alfredo. He asks her to leave Alfredo, in order not to prevent the planned profitable marriage of his daughter. Violetta realizes that 'good society' does not forgive, that her new life is not accepted. Then she decides on a radical break. She pretends to return to her old life. The invitation to a party at Flora Bervoix, her friend and rival, whom she has just received, offers the opportunity to appear with the Baron. She writes a farewell letter to Alfredo,