About
Mélanie Bonis dedicated her orchestral scene to a legendary woman: Cleopatra, the last queen of Egypt. York Bowen was always more attracted to the viola than the violin, and in his Viola Concerto he lets its sound blossom in all its facets. Just as difficult to perform is the solo part in Jean Françaix’s sensitive Clarinet Concerto. The nuances of the instrument are revealed as if under a magnifying glass – a little like Albert Roussel’s protagonists: His ›The Spider’s Feast‹ is about creepy-crawlies of all kinds and tiny dramas in the front yard.
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