Programme
- Johann Sebastian Bach (1685–1750) Suite in C minor, BWV 997 (Preludio / Fuge / Sarabande / Gigue & Double)
- William Babell (ca. 1690–1723) Aus „Lessons for a harpsichord“Arrangement von "Lascia ch'io pianga" (G. F. Händel)
- Daniel Wright (ca. 1685–1740) «The Black Joak, as 'tis performed at Dublin» ausThe Division Violin (London, um 1730)
- Harald Feller (* 1951) Toccata
- Arcangelo Corelli (1653–1713) Sonate F-Dur, op. 5 Nr. 10
- Wen-Cheng Wei (*1999) The Golden Fish
- Marco Uccellini (ca. 1610–1680) La Bergamasca
- Nicola Matteis (ca. 1650 – nach 1713) Diverse bizzarie sopra la vecchia Sarabanda o pur Ciaccona
- Mixed German Solo J. S. Bach (1685–1750)Allemande from Partita in A minor, BWV 1013 C. P. E. Bach (1714–1788): Poco adagio from Sonata in A minor, Wq 132 J. J. Quantz (1697–1773): Minuet and Variations
- Georg Philipp Telemann (1681–1767) Sonatine a-Moll (Andante - Allegro - Andante - Presto)
- Louis Couperin (ca. 1626–1661) Prélude non mesuré Nr. 3
- Jean-Baptiste Drouart de Bousset (1662–1725) "Pourquoy doux Rossignol"
- François Couperin (1668–1733) Le Tic-toc-choc, ou Les Maillotins
- Antonio Vivaldi (1678–1741) La Follia
About
Bigtree Recorder Ensemble specially invites recorder icon Dorothee Oberlinger and keyboard master Peter Kofler to Taiwan. Titled after Couperin's Les Nations, the concert creates a dialogue between the "wind" of the recorder and the "feather" of the harpsichord. Traversing German counterpoint by Bach, Italian passion by Vivaldi, and French and English court classics, it weaves a brilliant musical map of Europe. Recreating the golden era of 17th- and 18th-century early music, Oberlinger will perform " The Golden Fish, an award-winning original composition by Taiwanese youth player Wen-Cheng Wei. They will also join forces for Vivaldi's La Follia and Uccellini's La Bergamasca, sparking powerful transnational early music chemistry!
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